Showing posts with label DJ. Show all posts
Showing posts with label DJ. Show all posts

Monday, October 11, 2010

Want Fries with That?

I began my radio career at a religious radio station in 1983  when I was 17. I started out as a button pusher at this AM/FM combo on the AM side in scenic Savannah, GA. Often the jocks from either station would leave to get lunch alternately while the other stayed behind to babysit the board late in the afternoon after the administrative staff had clocked out. It was my turn to buy lunch, so I left the place in good hands--or so I thought. Unknown at the time, I had improperly  threaded the Revox A-77 tape machine that was to play a 30 minute preacher show. The broadcast rolled and I was on my way to a nearby fast food establishment. By the time I was on my way back, listening via my car radio, to my horror the tape had been dragging to a stop—dead air! I arrived inside the studio to find my GM hovering bewildered over the board, tapping her foot nervously red with anger. She never said a word. I just knew I was fired. The only words I could muster were, "Want a McNugget?"  Well, I dodged a bullet that day and the incident wasn't ever mentioned again. Maybe my food bribe paid off. The preacher in question had called the manager at home (she lived within walking distance.) He was perhaps our biggest client and a perfectionist to boot who, incidentally, had a studio better equipped than our own within his church. To this day I don't know why I was spared the ax.

stay tuned

©2010 Neal Rhoden. Gospel Aircheck blog. All rights reserved

Sunday, May 30, 2010

A DJ Saved My Life

I was nervous. My dad had prepared a cassette tape of the first two weekly episodes of the Jesus is Lord Broadcast—a half hour brokered time preacher’s show on local 5,000 watt WEAS-AM in Savannah, Georgia. In a scene reminiscent of the 1987 movie Broadcast News, the tape was rushed—hand delivered— to the station just in time for the 12 noon airing that first Saturday we went to air. It was a small miracle that I got there in the first place.

Finally finding it, the station was not at all what I expected: located in a residential neighborhood, a fairly large two story clapboard house. A large wide wooden staircase led up to a screened porch and an unlocked front door to the reception area. Somehow I found myself on the upper floor having been misdirected around the obvious studio downstairs by a musical commotion. 

I heard loud music from a direction that I assumed was emanating from the studio. I never forgot the song playing: Indeep’s “Last Night a DJ Saved My life”. “Please,” I thought, “Somebody save me, I can’t find the studio!” It was a ghost town in there. Now clear as crystal, I realized the music and disembodied DJs were from a stereo cabinet the FM used to monitor their air. But, where was the studio? I tried a couple doors that opened into empty offices. Nothing! Time was wasting. I felt like a cat-burglar. Had all the DJ’s, like Elvis, left the building? Maybe I could steal all those gold records and certificates of live remotes promoting something called a “Budweiser Beer Bash” proudly displayed on the office walls. What sort of Christian station allowed such vulgar trophies in the first place? In the mind of a conservatively raised 17 year old Bud and Gospel Preaching did not mix. But, I digress.

Gospel 90 and its 100,000 watt FM were sister stations in the same building. Obviously, the FM dominated the decor choices. Had my dad seen what I saw that day he would have turned tail and run. But our sponsor—Manning’s Discount Furniture—was counting on us to deliver a product. So, I resumed my search. It was one minute to show time when I discovered stairs leading down into a pit of ugly brown carpeting; both on the floors and the walls located inside a haphazardly constructed addition encased in cinder block and plywood. The place reeked of cigarette and God knows what other type smoke, both legal and not. To the right was the FM control room. In the middle was the “Production Room.” And to the left was my future work home, WEAS-AM, “Gospel 90.” The doors were unlabeled; my ears had to determine which studio to enter. I chose wisely.

3, 2, 1, cue tape! Jesus is Lord was broadcast via 5,000 watts from the AM side. Our premiere went on without a second to spare—literally. Dennis; the DJ on duty, sighed relief as he politely waved me away returning to conversation with another visitor, presumably his wife. I was happy. Then I questioned, “How do I get out?”

We will continue the story of our FM soul sister next time on the Peanut Whistle. Read about E-Man, Casanova Jones, Stormin’ Norman and the other DJ’s who shared our space. Until then…

Stay tuned
©2010 Neal Rhoden, The Peanut Whistle. All rights reserved

Sunday, February 28, 2010

Rocktober

Back when Contemporary Christian Music first became commercially viable in the mid 80’s with artists such as Amy Grant; I started my own CCM disk jockey show on a local 5,000 watt AM in Savannah, Georgia. The program concentrated on the current Christian top 40 plus recurrent hits and traditional Gospel with a modern beat. Today I present an unscoped original aircheck from October 1986. The month was known as “Rocktober” thanks to a promotional poster hung on the control room wall from Sparrow Records label. Enjoy the show!




©2010 The Peanut Whistle. All rights reserved.

Tuesday, February 2, 2010

The New Medium

  A new buzzword is sweeping the radio industry; That is, “New Media.” The term refers to podcasting, web shows, Internet audio and video streaming and such. It is my goal to make at least a dent in the new media pie with my show “Gospel Rewind” For now, the radio station I started last March is on the back burner. The instant, on demand, availability of my shows is very exciting as I introduce an original American art form to a new generation. Gospel music is root to most all genres of current popular music.

  I made a living playing such songs on various traditional AM & FM radio stations over a 12 year period from the early ‘80’s though about ‘95. Music appreciation has been a focus of most of my years since; gravitating to the religious form, mostly. I have noticed living among the Conservative Christian community that secular music is gaining more acceptance with reports of “Christian” stations tweaking their formats to “positive” music allowing the more innocuous mainstream hits airplay. I’m afraid we’ve crossed a dangerous line by mixing secular with sacred. It could spell the end of Contemporary Christian Music as we know it.

  Gospel Rewind will not be watered down. My New Media venture has a much more narrow focus, for sure. We do not limit the show to any sub-genre: Southern, Black Gospel, CCM, Inspirational, Choir, Christian Country, you name it; I have covered it all and try to blend the styles. My most recent podcast Heaven’s Jam is a great example of what I want the show to represent. Give it a listen. You’ll hear gospel music crossing racial barriers in a way I have seldom heard.

  For those not privileged to the episode’s back story; my dad was a blind minister, a piano tuner by trade, who was white. I was his hired assistant and we had, by chance, brought along a Panasonic cassette boom box which we used to record a 14 year old phenom piano player at a small black church in Savannah, Georgia. Often we were treated to our customers’ playing a freshly tuned instrument with much skill, but this cat was off the charts. My dad compared him to AndraĆ© Crouch; for which the young man seemed honored. His father, the pastor, also blind, joined the singing. What sweet music was captured that day. My dad summed up the jam session by saying that a vast majority of true talent is yet to be discovered. For the two of us our cassette document was proof.

 

Stay tuned

Friday, December 18, 2009

Decisions, Decisions, Part Two

  For a brief time in late 1986 my dad and I shared similar paths. We were both dissatisfied with how work prospects had dried up in the small coastal town we lived in for 13 years. In early summer of the year he asked if I had ever considered moving away to a bigger city and presumably a better life. He felt limited by the market and I agreed. Most disk jockeys of my era shared the opinion that moving "upmarket" was always a good idea. It meant better exposure and more money. The novelty of my first radio home had worn off. I was ready for a bridge burning change irrespective of an actual moving day. At the time I called it burnout. I was lying to myself; radio was my life. But what was I to do? I had a certain numerical figure in mind my current situation fell far from the mark of meeting, so a new career seemed necessary.

  Savannah, Georgia was known as a medium sized radio town ranked at about number 149 while Atlanta was a major market constantly in the top 10 of all US cities. By December of '86 my family had settled into our new home just outside the Atlanta metro, Douglasville. I had got a job immediately as an office temp doing telemarketing. At least I was using my voice, just in a different direction. The money was much better, almost my goal amount.

  My previous employer had set up an interview at a 50,000 watt sister station in Atlanta that I felt was a false opportunity. About an hour commute was unappealing even for the dollar figure, nearly twice my old rate. I would have been upside down with the fuel cost alone!

  I forever viewed this as a good decision although it meant a gap between radio homes. How long a gap was uncertain. The good news was that by the end of February I was in broadcasting again, This time at a 1,000 watt AM daytimer located mere minutes from home with comfortable pay.

  The station was in a facility recently remodeled and filled with the latest pro equipment. Despite its transmitted power, it was the best sounding facility of all my radio homes. Three months into my stay there the owner made the astounding announcement the the station would be sold! What had I got myself into?

  I had gained favor with the GM, "Vic", who gave me a 10% raise after only 30 days. It was this manager whose resignation, I assume, was catalyst for the sale. The business was owned by a local church, he was the pastor. The back story I can only speculate. I believe that the radio station was Pastor Vic's baby and his leaving gave those less enthusiastic of his cause leeway to unburden the load that we undoubtedly were. Key people eventually resigned and I became Program Director By November of 1987, finally earning my magic number, to the penny.

  Ironically, my monetary victory was shallow. I was unhappy. The money did not satisfy my artistic leanings. The station was boring. Except me, we had little or no listeners as we sailed on adrift, waiting to be sold. That process would take another three years. I have to give the owners credit for their integrity. Pulling the plug on the whole operation and going dark would have been the best course but they nobly kept us paid never missing a beat once. Unprecedented creativity was about to be unleashed from me as I was to find out with the successor at radio home 3. That is another story.

Stay tuned

The Big Tease

This is my new idea for an instructional video. Subject: Radio Broadcasting Technique, peanut whistle style.


Stay tuned
©2009 – 2010 The Peanut Whistle. All rights reserved.

Saturday, November 28, 2009

1980's CCM Spec Show

©2009 The Peanut Whistle. All rights reserved.




  I had so much fun with the music in this show from the late 80's. Contemporary Christian Music was worlds apart from today's counterpart. Listen as I echo the then popular CHR format in this unscoped gem from 1987 that was done in my Atlanta studio at radio home number two. This recording did not air on any radio station and was only intended to be a speculative demonstration of the J900 format I invented at my original radio home. The idea has not been presented unedited until now. Enjoy.

Stay tuned.

Wednesday, October 14, 2009

The Birthday Truck

Lame is the term I have borrowed from a younger generation to describe some of the ineffective, cloying attempts I have made at entertaining my radio audiences. Today I recall one of the primary examples. 

In September of 1990 I was paired with a co-host against my will, mainly. I had worked solo almost exclusively up until that point. I felt it was a bad idea from the inception that I share my show with a newbie with a natural gift of gab named Angie Mabry.

Her easy acclimation to radio made the forced pairing much more tolerable. We seemed to mix well on the air and off. Our station owner/general manager introduced our duo on the daily half hour Swap Shop program with the intention of expanding her role as eventual morning show co-host.

We went to work in numerous procrastinating planning sessions trying to conceptualize what the new morning show would sound like. Our boss grew weary of our preliminaries and finally compelled us to begin the 6 am to 9:30 am program at the beginning of November. What we settled on was an emphasis on fluff talk and downplayed our music format which we perceived appeasing the “blue hairs”, our undesired elderly demographic. Most of our style was modeled after the secular morning zoo shows of the day but stopped short and we were limited by our aging southern audience and their obsolete traditions. As far as I have known no attempt had ever been made on a southern gospel station for such a show so our new enterprise was in uncharted waters amidst the brokered religious programs keeping us afloat.

One of the most memorable episodes of Mabry and O’Neal show was the Birthday Truck. My on-air partner feigned anxiety over her November 13th birthday as the event neared. Her day was hyped over a week or so around the office and on the air. By the 14th the semi bringing a mountain of gifts was a day late and Mabry was “worried.” The birthday bit climaxed with a visit from the red-neck truck driver (voiced by me) who had troubles finding the station and struck her parked Honda Prelude while pulling into our tiny parking lot. The skit was more lame than anything on Saturday Night Live, pretty bad.

We had some chemistry. We were both in our mid twenties sharing similar views. I skewed a little more conservative. Our ad libs were much more entertaining than the prepared text we thought was funny. Interactions with our sports & news director, Fred Brewer fared much better. He had a dry poignant humor that would have been a better match for a morning show. Our boss saw things differently favoring a male female duo. Had the show been played straight with unforced comedy lacking in phony laughter we might have had a hit. We simply tried too hard.

  The best conversations were the real ones involving our friendly UGA and Georgia Tech football rivalry. I was the long time Dawgs fan while she preferred the Yellow Jackets. To her credit Tech had the superior squad and was national champs that year. For some inexplicable reason sports coverage on a southern gospel station was considered taboo by listeners so the best element of our show seemed too secular. The outspoken Southern Baptist and Pentecostal based audience was resistant. We were viewed as sell outs. Our 2,500 watt AM signal disappeared into the haze that was too far on the fringe of the Atlanta environs to be competitive in the major market so our locals won in the end.

I don’t recall the show lasting much past the new year. The partnership ended on a sour note, I don’t remember the precise circumstances but our radio savvy sales manager “Just” Janet Barcus  played Mabry’s understudy and eventual replacement as the curtain fell on my third radio home in February of ‘91. Click on the Mp3 below for the Birthday Truck aircheck...


The station now has a 50,000 watt construction permit that is wasted on the same old format with a playlist of obscure southern gospel tailored to those born sometime during the Civil War. Their signal reaches further now though. I don’t believe the current owners wish to program for the major market they now cover. What a shame.
Stay tuned.

Thursday, June 11, 2009

King of all Peanut Whistles

Talk about a peanut whistle. I worked a year at this particular 2,500 watt gem. We had local news, Southern Gospel music, a Swap Shop and daily obituaries. The news wasn't from a teletype or our own reporters. No, we read it directly from the newspaper. Verbatim. A few years before the dot com boom one of my fellow staff members commented on the state of our programming. The idea of a good ole country station was a relic of a bygone era. The world was now more accessible thanks to new technologies. I don't agree with him totally because stations such as this have their own unique charm. My friend Jim did get it right on one point though, we are a more enlightened society thanks to outlets such as CNN and other TV cable networks readily available then. It was 1992 and the World Wide Web and Fox News were a few years off. The context of his remarks was framed by people who he had observed overstating their "country" heritage by feigning ignorance, although being just as enlightened as city folks.

I was a bit of a snob then and saw this station a road block in my career.  The WBKI culture was an adjustment and was a step down from a purely business perspective. I later adopted their style and grew to appreciate their way of doing things. A few of the more countrified elements were weeded out and we became more "sophisticated." The home spun morning DJ resigned shortly after some heated debate with me. I viewed him as a local yokel. He was blissfully ignorant but the people loved him. The station fell into decline and eventually folded. My guess is that we didn't give the listeners what they wanted or maybe poor management was to blame. Who knows? Our GM saw the futility of the situation early on and probably mentally quit long before our demise. To borrow from the famous TV show WKRP in Cincinnati this guy was "town to town, up and down the dial". Success eluded David. We had worked together before. I witnessed his slow decline at my previous radio gig and now doubt my own wisdom in hitching to his star. However, I learned a lot from him and consider him a mentor. He allowed circumstances to limit him. I missed the control I had as a program director at my two previous jobs and felt the air chair was a handicap. For the first time in 6 years I was "just" a dee jay.

Stay tuned!